4/11/2024 0 Comments Hot teenage modelsWith them, Lanthimos graduated to a major arthouse player - and earned a litany of star collaborators who praise his talent. His first two films in English, 2015’s “The Lobster” and 2017’s “The Killing of a Sacred Deer,” each made splashy debuts at Cannes. His next effort, “Alps,” played in competition in Venice, where it won an award for its screenplay. The film won the top Un Certain Regard prize at Cannes in 2009 and went on to secure an Oscar nomination for foreign language film. “Dogtooth” gave Lanthimos an international foothold. The movie’s success helped solidify Lanthimos as a name-brand auteur with breakout potential - something his previous work had hinted at. The film was a major awards season player, racking up 10 Acad- emy Award nominations and a trophy for Colman, and grossed $96 million at the global box office. “The Favourite,” a sav- agely amusing female love triangle that marked Stone’s first collaboration with the director, took place in the 18th century court of England’s Queen Anne (Olivia Colman). “Poor Things” isn’t the director’s first film set against a historical backdrop. “The setup itself - a grown woman with the brain of a child - people didn’t know how to respond to it.” But he believes we’ve come a long way since then, “and it opened up the way to being able to tell stories like this.” “I think some people found it a little too much in terms of Bella’s freedom around sexuality,” he continues. “A story about a woman’s freedom in all aspects of society, humanity, or however you want to put it, wasn’t something that interested people a lot. “I explored options with other producers, but it didn’t go anywhere,” Lanthimos says. The challenges of the material proved considerable. Lanthimos first met with Gray in the author’s hometown of Glasgow in 2012 after spending a day together, Gray gave Lanthimos his blessing to tackle “Poor Things,” although he died before the movie made its debut. It was a project more than a decade in the making. Immediately you interpret the book as something very visual and complex.” “I was even drawn to it visually because Alasdair was also a painter and did his own illustrations. “I’d never read anything like it before, and I was drawn to the characters, the themes, the humor and the complexity of it,” says Lanthimos. Adapted from Alasdair Gray’s 1992 novel of the same name and anchored by a bravura turn from Emma Stone as Bella Baxter, the film is a singular work, a wickedly funny fairy tale riff on Mary Shelley’s “Frankenstein” that recasts it as a warped, sexually charged coming-of-age story. Following its Venice Film Festival premiere, where it picked up the Golden Lion, “Poor Things” has been named to both the AFI and National Board of Review lists of the year’s Top 10 films, and it recently received seven Golden Globe nominations, including musical or comedy film and director.
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